Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Make a donation
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 18 May, 2020.

By clicking ‘subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly emails (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe’ link in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission for a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.

Packard: the last shift

7 minutes

Don’t think twice

12 minutes

EXCLUSIVE

Ping pong Sufi

11 minutes

Is Eric Cantona an existentialist?

3 minutes

No ball games

14 minutes

A poetic tour through Detroit’s abandoned, ghostly Packard Automotive Plant

Detroit’s Packard Automotive Plant was once considered to be the finest in the world, and an emblem of the city’s economic and industrial might. But more than 60 years after manufacturing its last luxury car, the long-abandoned facility has transformed into a symbol for Detroit’s decades-long economic slide. The US filmmaker Brian Kaufman brings us into the plant at a unique moment in time: long after its life as an automotive powerhouse, but before its demolition and rehabilitation, which began in late 2014. With the building’s fate uncertain, it becomes something of a Rorschach test for locals, who view it by turns as a danger, a venue for public art, an eyesore, and the damaged spirit of a city desperately in need of revitalisation. Packard: The Last Shift – which is split between a poem from the Detroit-based Pulitzer Prize-winning writer Philip Levine and interviews with residents of the city – is excerpted from an eponymous 2014 feature-length documentary on the plant.

Director: Brian Kaufman

Producer: Kathy Kieliszewski

As dementia trims the tree of knowledge in John’s brain, music holds firm

At the age of 24, John Fudge took a violent fall while climbing the white cliffs of Dover in the south of England, splitting open his head and losing consciousness. The extent of his injuries weren’t revealed until decades later, when doctors decided to perform a brain scan after John slipped into a deep depression. The results revealed extensive brain damage, including a progressive form of dementia. Now, 10 years on from his diagnosis, John’s wife Geraldine compares his brain to an oak tree, its limbs of knowledge being slowly trimmed away, causing John great mental anguish. His only relief comes when he’s able to live in the moment, such as when he plays guitar and sings – his musical abilities being an as-yet untrimmed branch. Don’t Think Twice offers an insight into John’s life, including visits from Jon, a young volunteer who joins him for music sessions at home. An affecting and unusually honest portrait of dementia, the UK director Harry Hitchens leaves his viewers to find relief and peace, like John, in the musical moments tucked in between difficult realities.

Director: Harry Hitchens

Producer: Chloe Abrahams

Website: Everyday Studio

‘I’m just measuring myself with myself’ – ping pong as a route to Sufi spiritual practice

A practitioner of the inward-looking form of Islam known as Sufism, Noah Nazir pursues self-improvement as a means of connecting with God. This is especially true at the ping pong table at his local Sufi centre in Sheffield, where Nazir is ever in search of new and creative ways to up his game. And, as he relays in Ping Pong Sufi, his striving has yielded some impressive results. Despite his age and a recent stroke, he’s one of the centre’s best players – even though, he stresses, he views his only competition as from within, commenting: ‘I’m just measuring myself with myself.’ The UK filmmakers Rachel Genn and Connor Matheson cultivate an appropriately meditative mood in their short documentary, made in 2019, capturing Nazir as he seeks transcendence through ping pong and prayer. The result is an illuminating and novel window into Sufi spiritual practice, which is given a musical lift by the multitalented Nazir, who also composed the song that plays over the closing credits.

Directors: Rachel Genn, Connor Matheson

What would Sartre make of the footballer who stood by his decision to kick a fan?

The most infamous kick of the French footballer Eric Cantona’s accomplished career wasn’t a game-winning goal, but rather an airborne attack on a fan who was shouting abuse at him during a match in 1995. When asked to reflect on the incident some two decades later, Cantona stated: ‘I love it and I don’t regret it … I am not a role model … I am just a human being with emotion.’ This short animation from the Illustrated Philosopher series – written by Nigel Warburton, consultant senior editor at Aeon – ponders whether Cantona proved himself an unlikely existentialist by refusing to succumb to the pressure to express contrition.

Writer and Narrator: Nigel Warburton

Animation: Cognitive Media

Immerse yourself in the games kids play when the streets are their playground

The London-based filmmaker Charlotte Regan’s charming documentary No Ball Games tracks the nuances of play between young friends in three working-class neighbourhoods across the UK. Capturing the joy of an aimless summer’s day spent finding fun, the film celebrates the instinctual ability of children to cook up their own entertainment from scratch – including, in this case, wresting directing duties from the filmmakers from time to time. With an immersive style, Regan’s film transports viewers into a world of resourcefulness, invention and fun that’s rarely accessed – and perhaps even forgotten – by those burdened by the quotidian concerns of adulthood.

Director: Charlotte Regan

Producer: Theo Barrowclough

Website: Guardian Documentaries

A poetic tour through Detroit’s abandoned, ghostly Packard Automotive Plant

Detroit’s Packard Automotive Plant was once considered to be the finest in the world, and an emblem of the city’s economic and industrial might. But more than 60 years after manufacturing its last luxury car, the long-abandoned facility has transformed into a symbol for Detroit’s decades-long economic slide. The US filmmaker Brian Kaufman brings us into the plant at a unique moment in time: long after its life as an automotive powerhouse, but before its demolition and rehabilitation, which began in late 2014. With the building’s fate uncertain, it becomes something of a Rorschach test for locals, who view it by turns as a danger, a venue for public art, an eyesore, and the damaged spirit of a city desperately in need of revitalisation. Packard: The Last Shift – which is split between a poem from the Detroit-based Pulitzer Prize-winning writer Philip Levine and interviews with residents of the city – is excerpted from an eponymous 2014 feature-length documentary on the plant.

Director: Brian Kaufman

Producer: Kathy Kieliszewski

Aeon is not-for-profit
and free for everyone
Make a donation
Get Aeon straight
to your inbox
Join our newsletter

Community block party in the rain. Baltimore, 2018. Photo by Peter van Agtmael/Magnum

Essay/
Race and ethnicity
Sociology’s race problem

Urban ethnographers do more harm than good in speaking for Black communities. They see only suffering, not diversity or joy

Robyn Autry

Władysławowo beach, Poland, August 2020. Photo by Kacper Kowalski/Panos Pictures

Essay/
Neuroscience
How close is too close?

The neuroscience of peripersonal space explores how you create, defend or relax the buffer zone between you and the world

Frédérique de Vignemont & Colin Klein