Do the Volgelkop bop: how a newly discovered bird-of-paradise dazzles his mate

Beginning in 2004, the evolutionary biologist Ed Scholes of Cornell University in New York and the US nature photographer Tim Laman embarked on an ambitious project to find and film the 39 then-known members of the birds-of-paradise family that live in remote regions of New Guinea, Australia and nearby islands. Living in largely predator-free habitats have allowed male birds-of-paradise to develop some of the world’s most colourful plumage and elaborate mating displays, making them the favourites of many a David Attenborough nature documentary.

During a 2016 trek to west New Guinea, Laman and Scholes did one better than simply capturing new images of these birds – they discovered a new species. Now known as the Vogelkop superb bird-of-paradise (Lophorina niedda), it was previously considered a subspecies of the Greater superb bird-of-paradise. However, Laman and Scholes’s documentation of the male’s mating dance revealed enough difference in its song, movement and feather display for the Vogelkop superb to be recognised as a distinct species. With its first documented observation dating back to 1930, this video marks the first known time that the male Vogelkop superb has been caught on camera in all its shimmying, brilliant black-and-blue glory.

Why Medusa lives on – Mary Beard on the persistent legacy of Ancient Greek misogyny

‘To be men, they have to learn to silence women. I don’t think we’ve entirely got over that.’

From philosophy and politics to literature and art, the Western world has inherited much from Ancient Greece. But one disturbing cultural legacy is the enduring view of women as lesser beings who should shut up and stay out of the public intellectual sphere. Our social media is rife with examples of this persistent misogyny, which casts vocal women as stupid, shrill or some combination of the two. As the classicist Mary Beard of the University of Cambridge argues, nearly every leading female politician has been at some point depicted as Medusa – that beautiful woman of Ancient Greek myth who was transformed into a hideous beast as punishment for her own rape. In this video, commissioned by the Getty Museum on the occasion of Beard receiving their 2019 Getty Medal for contributions to the arts, she elaborates on the telling similarities between Ancient Greek depictions of women and those in our own times.

From sky charts to atomic clocks, time is a mysterious story that humans keep inventing

The standardisation and accuracy of human timekeeping has improved by leaps and bounds over the millennia – from tracing the stars, to the invention of timepieces, to the atomic ‘clocks’ of today. But for all our efforts, the concept of time, including whether it’s little more than an illusion of human psychology, remains deeply puzzling. In this interview with Robert Lawrence Kuhn for the PBS series Closer to Truth, the independent British physicist Julian Barbour endeavours to distinguish between our experience of time and its scientific underpinnings, including what has and hasn’t changed about our conception of time since we first looked to the skies to measure it.

A spy thriller for an era in which the Holocaust risks being forgotten

‘The noose that had hung his friends after the war for what they had done, the noose that he thought he had escaped, had found him.’

In the wake of the Second World War, former SS officials and Nazi collaborators fled Europe, hoping to evade prosecution and knowing that South American governments were sympathetic to the Nazi cause. Adolf Eichmann, the chief ‘architect’ of the Holocaust, was the highest ranking member of the Third Reich to escape to the continent, where he made Buenos Aires his new home and ‘Ricardo Klement’ his new name.

The US artist Randall Christopher’s animation The Driver Is Red follows the Israeli mission that captured Eichmann on 11 May 1960, forcing him to finally stand trial for his crimes. With the pace and tension of a spy thriller, the short documentary frames the fervour for justice as a tribute to those who committed themselves to tracking down Nazi war criminals long after the Second World War’s end. Now that very few people with memories of Nazism’s rise are still alive, Christopher made the film freely available online, warning of the ominous spectre of ‘extreme nationalism, open racism, attacks on the press [and] reckless talk of war’ in our own era.

How do you bring an 18th-century ceramic teapot to life? An artist puzzles it out

Agateware is a distinctive style of ceramics that became popular in England during the 18th century. Crafting it calls for an intricate process of moulding and layering clay materials, culminating in a marbleised, multicoloured glow on each piece after glaze firing. In this short video from the Victoria and Albert Museum in London, Michelle Erickson – an American ceramic artist who was a ceramics resident there in 2012 – attempts to recreate an 18th-century agateware teapot from the museum’s collection. Combining historical expertise with educated guesswork and artistic dexterity, she works out how to duplicate the original. While her final product is an impressive display of artistic mimicry, the true marvel of her work is the way that her thinking shapes and is shaped by the act of her making.