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Over the past several decades, the cubicle has become universal shorthand for an oppressive, soul-crushing work environment where dreams go to die. But why has the cubicle become both so hated and so ubiquitous? With equal doses of deadpan humour and historical insight, the Canadian filmmaker Zaheed Mawani tackles the rise of the cubicle and the matter of why its inventor, the US designer Robert Propst, came to hate its implementation.
Director: Zaheed Mawani
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Information and communication
Coverage of the ‘balloon boy’ hoax forms a withering indictment of for-profit news
17 minutes
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Childhood and adolescence
Marmar is living through a devastating war – but she’d rather tell you about her new dress
8 minutes
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Meaning and the good life
Wander through the English countryside with two teens trying to make sense of the world
10 minutes
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Computing and artificial intelligence
The ‘cloud’ requires heaps of energy to stay aloft. Could synthetic DNA be the answer?
12 minutes
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Art
A puppeteer makes sense of an overwhelming world by shrinking it down to size
5 minutes
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History
There are fragments of Romani Gypsy history all over the UK – if one knows where to look
3 minutes
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Biology
Brilliant dots of colour form exquisite patterns in this close-up of butterfly wings
3 minutes
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Anthropology
Does Mogi’s future lie with her horses on the Mongolian steppe, or in the city?
16 minutes
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Genetics
Why it took a century to work out that humans interbred with Neanderthals
22 minutes