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Created using a decomposing 35mm print of the crime drama The Bells (1926), the experimental short Light Is Calling (2004) depicts a dreamy encounter between a soldier and a mysterious woman. With images that reveal themselves only to distort and disappear into the decaying amber-tinted nitrate, the New York-based filmmaker Bill Morrison – known for his use of found materials – invites viewers to meditate on the fleeting nature of all things physical and emotional, while a minimalistic violin score suffuses the century-old images with a wistful, haunting beauty.
Sex and sexuality
What does the Dutch model of comprehensive, ‘shame-free’ sex-ed look like?
Film and visual culture
A Palme d’Or-winning animation toys with the way our eyes perceive light
How a self-taught autistic artist mines creativity from life’s endless variations
Nature and landscape
An afternoon with hobbyist diamond miners in Arkansas is a thing of rare beauty
What can a Kurosawa classic tell us about reality, knowledge and truth?
Witness the majesty of moths taking flight at 6,000 frames per second
Jocelyn Bell discovered pulsars. The Nobel Prize went to her supervisor
Animals and humans
A bluesy ballad tells the story of Old Bet, the first circus elephant in the US
In this 1975 lecture, the maglev train’s inventor deconstructs his ingenious design