Support Aeon

‘Thought-provoking, eclectic, open-minded and user friendly. Aeon is like no other site on the internet.’

Larry D, UK, Friend of Aeon

Aeon is a registered charity committed to the spread of knowledge and a cosmopolitan worldview.
But we can’t do it without you.

Make a donation

Aeon is a registered charity committed to the spread of knowledge and a cosmopolitan worldview. Our mission is to create a sanctuary online for serious thinking.

No ads, no paywall, no clickbait – just thought-provoking ideas from the world’s leading thinkers, free to all. But we can’t do it without you.

Make a donation

Close

Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Support Aeon
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 5 June, 2018.

By clicking ‘Subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly email (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe link’ in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission to a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.


The night witch

4 minutes

The power of expectations

3 minutes

Primitive technology: round hut

11 minutes

Baby brother

14 minutes

Inferno observatory

5 minutes

They came in the night – the all-female bomber regiment of the Soviet Air Force

During the Second World War, the Soviet Air Force initially barred women from serving in combat. That was until October 1941 when the pilot Marina Raskova personally convinced Joseph Stalin to deploy the world’s first all-female air force units to fight against Axis powers. Primarily made up of volunteers in their late teens and early 20s, these regiments flew wood-and-canvas Polikarpov U-2 biplanes, aircraft originally intended for crop-dusting and hardly equipped for warfare, lacking guns, radio, radar and even parachutes. In this short animated documentary, the US filmmaker Alison Klayman recounts the story of Nadezhda Popova (1921-2013), a pilot in the notorious 588th Night Bomber Regiment – known by fearful German soldiers as ‘Nachthexen’ (‘night witches’), for their sudden, nearly soundless approaches before devastating bombardments. In The Night Witch, Popova’s experiences – from her childhood to old age – represent the complex intersection of 20th-century warfare with women’s growing empowerment.

Director: Alison Klayman

Director of animation: Dustin Grella

Want to make a lab rat smarter? Treat it like a smarter lab rat

It’s perhaps not startling to learn that the expectations of others have a significant impact on us. Over the past century, however, scientists have been surprised to observe just how forcefully expectations can nudge the abilities of people – and rats – in one direction or another. Featuring audio excerpts from NPR’s Invisibilia podcast, this animation draws on the work of the US psychologists Robert Rosenthal and Carol Dweck to briefly delve into how expectations can raise or lower student performance, speed up or slow down soldiers, and make maze-solving lab rats smarter or dumber.

Director and Animator: Francesca Cattaneo

Website: Invisibilia

Learn to build your own rainproof hut – or, at least, marvel at the man who knows how

The popular Primitive Technology YouTube channel features an anonymous man in Far North Queensland in Australia fashioning tools and structures using only naturally occurring, found materials. In this installment, following the deterioration of his A-frame hut, he builds what he hopes will be a more durable round hut from the ground up. Starting with wood posts tied together with cane, the man makes the structure water-resistant by adding a palm roof, a drainage trench, and walls built from a combination of mud and cane. In the process, he also almost manages to make his remarkable ingenuity look easy. To learn more about the step-by-step process while watching, turn on closed captions in the video player. 

Video by Primitive Technology

‘I thought I was gonna be a teenager forever’: moving back in with the parents at 23

In his short documentary Baby Brother, the US filmmaker Kamau Bilal offers a bit of vérité filmmaking at its most refreshing, transforming the mundanity of his younger brother’s return to their parents’ Missouri home into a funny and poignant exploration of the weirdness of young adulthood. Ismaeel is 23 and affable, if somewhat hapless, but the intimacy of his brother’s filmmaking – and presumably his affection for Ismaeel – makes the treatment of the young man’s charms, flaws and idiosyncrasies gently revelatory. His stifled ambitions and uneasiness about the trappings and responsibilities of adulthood echo a distinctly millennial malaise, at the same time as being deeply rooted in his personal experience. This heartfelt and charming short was a favourite on the 2018 film festival circuit, screening at the Sundance Film Festival, True/False and Sheffield Doc/Fest, among many others. 

Director: Kamau Bilal

Scientists haven’t tamed volcanoes but it’s wild and fun to watch them try

During a fellowship at the Mineral Sciences Laboratory at the Smithsonian National Museum of Natural History in Washington, DC, the UK filmmakers Ruth Jarman and Joe Gerhardt stumbled upon a collection of 16mm films shot by volcanologists in the field. Originally presented as an installation at the Foundation for Art and Creative Technology (FACT) in Liverpool in 2011, this three-channel video combines the found footage with a churning, propulsive soundtrack to explore the human fascination with Earth-rupturing natural phenomena. Across the three channels, erupting volcanoes are at once powerful forces of nature as well as fodder for quantifiable scientific data – and high jinks.

Directors: Ruth Jarman, Joe Gerhardt

Website: Semiconductor Films

They came in the night – the all-female bomber regiment of the Soviet Air Force

During the Second World War, the Soviet Air Force initially barred women from serving in combat. That was until October 1941 when the pilot Marina Raskova personally convinced Joseph Stalin to deploy the world’s first all-female air force units to fight against Axis powers. Primarily made up of volunteers in their late teens and early 20s, these regiments flew wood-and-canvas Polikarpov U-2 biplanes, aircraft originally intended for crop-dusting and hardly equipped for warfare, lacking guns, radio, radar and even parachutes. In this short animated documentary, the US filmmaker Alison Klayman recounts the story of Nadezhda Popova (1921-2013), a pilot in the notorious 588th Night Bomber Regiment – known by fearful German soldiers as ‘Nachthexen’ (‘night witches’), for their sudden, nearly soundless approaches before devastating bombardments. In The Night Witch, Popova’s experiences – from her childhood to old age – represent the complex intersection of 20th-century warfare with women’s growing empowerment.

Director: Alison Klayman

Director of animation: Dustin Grella

Get Aeon straight
to your inbox
Join our newsletter
Aeon is not-for-profit
and free for everyone
Make a donation
Essay/
Work
No boss? No thanks

Far from making them obsolete, the flatter business organisations of today need managers more than ever but in new ways

Nicolai Foss & Peter Klein

Essay/
Economics
Economics as a moral tale

The development sector set out to summon the magic of capitalism from the ashes of communism. How is it going?

John Rapley