Time dilates and people flow in and out of each other in a hallucinatory urban commute

Warning: this film features rapidly flashing images that can be distressing to photosensitive viewers.

A commute is often judged good or bad by how long it takes, but sometimes getting from one place to another can yield wrinkles in our experience of time. The Japanese filmmaker Hiroshi Kondo explores this phenomenon in his often breathtaking video Multiverse, layering time on itself to create a hallucinatory vision of countless scooterists flowing through Taiwan’s capital Taipei. The result is a vision of a city and its people that takes an ordered freneticism and manipulates it to create a sense of time speeding up and standing still. People are momentarily discernible as individuals before morphing into strange amalgams of humanity. As the piece progresses, the pace becomes increasingly dizzying, until finally the crowd melds into an amorphous blur of light and motion. For another surreal take on the urban world from Kondo, watch his video Eye Know (2014).

How sky-high dreams launched one man’s audacious life in homemade rocketry

As the first civilian to successfully launch an amateur rocket into space in 2004, and a holder of a great many rocketry-related world records since the 1960s, Ky Michaelson has truly earned his self-anointed title as ‘The Rocketman’. Following a decorated career as a Hollywood stunt performer and coordinator, Michaelson, now aged 82, is retired from show business and spends most of his time building rockets in his garage. And his audacious spirit hasn’t mellowed with age. These days, he has his sights set on launching the first homemade manned rocket into space. This upbeat documentary portrait by the US-based director Rachel Knoll explores Michaelson’s unconventional path as a high-school dropout turned rocket engineer who wouldn’t let dyslexia stop him from aiming for the sky.

The devils you know – how Satan became a versatile stand-in for all manner of evil

From the three-headed man-eater of Dante’s Inferno to the Mephistopheles of German folklore, clad and caped in red in a Goethe-penned stage production, depictions of Satan have mutated into a fearsome multitude of pitchfork-wielding, fire-summoning and otherwise malevolent creatures. But how did a somewhat minor character from the Old Testament evolve into a versatile shorthand for all manner of human evil? Featuring a parade of the many meme-ified devils that have come to permeate the public imagination, this crafty animation from TED-Ed provides a brief history of how some of Satan’s most infamous forms came to be.

A filmmaker reflects on his adolescence with the help of some long-lost friends

In HAGS (Have a Good Summer), the US filmmaker Sean Wang casts his newest project from the pages of his middle-school yearbook. Calling up five long-lost friends that he hasn’t spoken to in years, Wang zeroes in on the two most willing to chat – Way Chen, who’s working at a restaurant while trying to make it as a dancer, and Fahad Manzur, who worries he just might have peaked in eighth grade – for an exploration of middle school, young adulthood and the wide chasm in between. Overflowing with sound and sight gags, Wang brings an apt sense of carefree humour to the work. But beyond its novel concept and nostalgic charms, the film also offers touching reflections on identity, the second-generation American experience and how expectations of ‘adulthood’ evolve even after you reach it.

How did the NRA transform from a sporting group to a mighty political force?

Compiling newsreels, articles and television news reports, The Rifleman examines some four decades in the history of the National Rifle Association (NRA). Via these archival materials, the US director Sierra Pettengill frames her portrait of the controversial gun-rights group around Harlon Carter, the former NRA president and a US Border Patrol chief, with an overturned murder conviction to his name, who was central in forging the NRA’s transition from a sporting organisation to one of the most potent and controversial political forces in the United States. Tracing the many overlaps between Carter, the NRA and US Border Patrol, Pettengill finds a group that, since the dawn of Carter’s influence, has been propelled by reactionary racism.