The US filmmaker Conner Griffith is known for experimental works that offer perspective-shifting explorations of everyday scenes and objects. For Still Life, he compiled and choreographed a dizzying dance of more than 1,000 engravings from the 19th century – from flowers to teapots to amphibians. The resulting short explores the philosophical notion that, as Griffith puts it, ‘we live in a world of objects and a world of objects lives within us’. Meticulously crafted in both sound and imagery, the resulting short forms an impressive and enigmatic meditation on consciousness.
An enigmatic ‘story of consciousness’ told through 19th-century engravings
Director: Conner Griffith

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