The super zoom

3 minutes

Hurricane Katrina, frame by frame

6 minutes

A woman like me

9 minutes

Are you really addicted to your phone?

3 minutes

The fuse: or how I burned Simón Bolívar

9 minutes

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A quantum odyssey from the tip of a pen to the dark side of human knowledge

The classic short film Powers of Ten (1977) propelled viewers on a journey from a Chicago park into deep space and then back down to the scale of a single proton. In The Super Zoom, the Brazil-based graphic designer Pedro Machado’s visualisation dives even deeper into the realm of the subatomic and theoretical. While the original film by Charles and Ray Eames zoomed in to a scale of 10-16 metres at most, Machado’s film draws on 40 years of quantum research – not to mention significant advances in 3D rendering technology – to drill down to the unfathomably small scale of 10-33 metres, brushing up against the limits of human knowledge and imagination. The mindbending animation uses a framework of quantum gravity in which a gravitational field exists at these smallest conceivable scales.

Director: Pedro Machado

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Who is ‘looting’ and who is ‘finding food’? How image gatekeepers shape the news

In August 2005, Alysia Burton Steele was just two months into her job as a photo editor on The Dallas Morning News when she decided to dispatch the photographer Irwin Thompson to New Orleans to document the impact of Hurricane Katrina. Her newspaper’s bold journalistic work went on to win a Pulitzer Prize for Breaking News Photography in 2006. In this short interview, Burton Steele describes how her team approached their coverage of the storm and its aftermath, and discusses the telling disparity between how news outlets presented African Americans and white people affected by the tragedy. This video is part of Topic’s Frame by Frame series, in which ‘celebrated photojournalists explore images of the people and events that helped shape the American experience, and discuss how working with photographs impacts them personally’.

Director: Yvonne Michelle Shirley

Producer: Jennie Bedusa

Website: Topic

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When a deafblind woman from Denmark met a woman like her in Nepal

‘I dreamt I was the deafblind woman we visited … And there was no information, nothing, just isolation.’

Sensory experience, cultural differences and degrees of privilege collide in a meeting between two deafblind women: Dorte Eriksen from Denmark and Budhi Maya Gurung from Nepal. Commissioned by the Danish Deafblind Association to document a trip to help deafblind people in Nepal, the Mexican-Danish filmmaker Isabel Morales Bondy found herself filming the two women’s remarkable encounter. A Woman Like Me is assembled entirely without spoken words. Instead, viewers get to see as if through Eriksen’s eyes and hear only what the director does as witness to the women’s language of touch. Acknowledging the opacity of this experience, Morales Bondy chose not to subtitle the women’s meeting, prompting profound questions about language, communication and human connection. 

Director: Isabel Morales Bondy

Producer: Lars Feldballe Petersen

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Is ‘tech addiction’ really akin to drug addiction? Here’s what the research says

Over the past two decades or so, industries have sprung up to treat ‘addictions’ to everything from excessive eating or sex to video games. And colloquially, use of the word ‘addictive’ seems to have reached a peak, used in headlines and casual conversations to describe everything from Nutella to the latest streaming series. In this short video from BBC Ideas, Andrew Przybylski, a professor of experimental psychology at the Oxford Internet Institute, examines the phrase ‘technology addiction’, offering a brief history of the term, and ultimately arguing that, unlike research on addictions to gambling, drugs or alcohol, the research on technology addictions is inconclusive. For Przybylski, it’s more than a matter of semantics: given the lack of conclusive research, new ‘addiction’ treatment markets have become fertile ground for opportunists looking to make a quick buck. Also, like conflating sadness with clinical depression, pairing ‘tech addiction’ with medically proven conditions risks minimising very serious brain disorders.

Video by BBC Ideas

Animator: Cheng-Hsu Chung

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Why a nine-year-old boy believed that he unleashed the Siege of Sarajevo

In the early 1990s, ethnic tensions in the former Yugoslavia erupted into a series of wars across the Balkans. The 1,500-day Siege of Sarajevo was one of the conflicts’ most brutal episodes, as Serbian forces, supported by groups of ethnic Bosnian Serbs, attempted an ethnic cleansing of the region’s Muslims. While countless events and historical forces built up to the Bosnian War, nine-year-old Igor Drljača, who was a third-grader at Sarajevo’s Simón Bolívar Elementary School when the violence broke out, became convinced it was his fault. After all, feeling nervous about a poor grade in art, he had prayed he’d never have to go back to his school – a wish that came fatefully true.

In his short documentary The Fuse: or How I Burned Simón Bolívar (2011), Drljača, now a filmmaker in Canada and an assistant professor at the University of British Columbia, revisits family VHS tapes to recount how his childhood collided with forces he couldn’t possibly comprehend. In doing so, he transforms this deeply personal story of trauma into a much more universal reflection on lost innocence, and how being a child can be accompanied by simultaneous, paradoxical feelings of both boundless power and crushing powerlessness.

Director: Igor Drljača

Aeon for Friends

Find out more

A quantum odyssey from the tip of a pen to the dark side of human knowledge

The classic short film Powers of Ten (1977) propelled viewers on a journey from a Chicago park into deep space and then back down to the scale of a single proton. In The Super Zoom, the Brazil-based graphic designer Pedro Machado’s visualisation dives even deeper into the realm of the subatomic and theoretical. While the original film by Charles and Ray Eames zoomed in to a scale of 10-16 metres at most, Machado’s film draws on 40 years of quantum research – not to mention significant advances in 3D rendering technology – to drill down to the unfathomably small scale of 10-33 metres, brushing up against the limits of human knowledge and imagination. The mindbending animation uses a framework of quantum gravity in which a gravitational field exists at these smallest conceivable scales.

Director: Pedro Machado

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Essay/
Thinkers and theories
Secular pilgrimage

Visiting Wittgenstein’s home evokes the philosopher’s serious, ascetic mind (no doubt he would disapprove its restoration)

Julian Baggini

Essay/
Beauty and aesthetics
Blackness and beauty

We need a radical new paradigm for thinking about blackness that recognises beauty’s potential to save lives

Enuma Okoro