Quantum fluctuations

4 minutes

The Sutton Hoo helmet

19 minutes

Gut hack

12 minutes

Sabine Hossenfelder: searching for beauty in mathematics

9 minutes

A small antelope horn

2 minutes

‘Moving paintings’ evoke a quantum particle collision at the Large Hadron Collider

Warning: this film features rapidly flashing images that can be distressing to photosensitive viewers.

The London-based artist Markos R Kay works at the intersection of digital art and science, building bridges between the sometimes esoteric work of scientists and the public. For his piece Quantum Fluctuations: Experiments in Flux (2016), Kay set out to visually express a quantum interaction – a phenomenon that’s notoriously unobservable. First, Kay crafted a scientifically informed visual style, incorporating influences ranging from the abstract expressionists to Richard Feynman. Kay then created ‘moving paintings’ from these visuals using computer software intended to mimic the supercomputers that simulate particle collisions at the Large Hadron Collider near Geneva. The sequence of events visualised in this excerpt from Quantum Fluctuations is as follows:

  1. Underlying event: representing the background particle interactions that occur in a hadron collider during a particle collision.
  2. Proton beam: hundreds of trillions of protons are accelerated to near the speed of light.
  3. Hard subprocess: the main event during a high-energy particle collision.
  4. Parton showers: radiation in the form of virtual quarks and gluons caused by the energy of the collision.
  5. Hadronisation: these particles become composite hadrons.
  6. Decay: unstable composites break apart and light is emitted.

There’s an idiosyncratic beauty to the resulting imagery and an inherent tension in the work, which melds careful planning with spontaneity, and offers an abstract peek into the unseeable. For the best experience, we recommend watching with your video player at the 4K setting. You can view Quantum Fluctuations in full at Sedition.

Director: Markos R Kay

The meanings and mysteries of the iconic Sutton Hoo helmet brought vividly to life

The early Anglo-Saxon artefact known as the Sutton Hoo helmet has, since its origins in the 7th century, passed through many incarnations, including: exquisite armour, long-dormant burial object, astounding archeological discovery and high-stakes puzzle. Today, the Sutton Hoo helmet – so named for the site in the English county of Suffolk at which it was discovered in 1939 – lives on as one of the British Museum’s most famous pieces. In this video, Sue Brunning, curator of the museum’s European Early Medieval Insular Collection, examines the iconic object, revealing the multitude of meanings and mysteries it holds. Through her investigation, Brunning brilliantly captures how history is an ever-fluid work in progress, being made and remade as new discoveries are brought – often quite literally – to light.

Video by the British Museum

When medicine offers no relief, a biohacker begins a radical self-experiment

In 2015, the US scientist, artist and self-described ‘biohacker’ Josiah Zayner undertook a controversial project to help resolve his lifelong gastrointestinal issues. The plan was to replace the vast colonies of microbiota on and inside his body via transplants from a healthy donor – and then document the proceedings. Although an accomplished biologist with a PhD in biophysics and two years as a NASA researcher under his belt, Zayner’s endeavour was frowned upon by much of the scientific community, with critics condemning the project for operating outside the normal boundaries of bioethics. Especially controversial was Zayner’s plan to self-administer a faecal transplant – a risky procedure usually reserved for potentially fatal conditions. In their documentary Gut Hack, the filmmakers Mario Furloni and Kate McLean follow Zayner’s fascinating, radical and not-for-the-squeamish quest for relief. In so doing, they also confront deeper issues of ethics and autonomy at the core of contemporary science.

Directors: Mario Furloni, Kate McLean

Producer: Laura Heberton

Against ‘beauty’ in science – how striving for elegance stifles progress

That there is an inherent ‘beauty’ and ‘elegance’ to the laws of nature is a view that permeates the field of physics. But, according to the German theoretical physicist Sabine Hossenfelder, the notion that the further you peer into reality, the easier the equation gets, has no basis in reality. Indeed, since the mid-20th-century, the maths of physics has become increasingly knotty, even as many physicists have continued to search for a path back to simplicity. In this interview with Robert Lawrence Kuhn for the PBS series Closer to Truth, Hossenfelder makes the case that this fixation on beauty isn’t just misguided – it’s stifling scientific progress.

Video by Closer to Truth

Sitting by the fire with a nomadic tribe, a physicist ponders the many shapes of wisdom

The Italian theoretical physicist Carlo Rovelli is a pioneer in the field of quantum gravity, and often thought of as one of the world’s foremost scientific thinkers. In this brief animation by James Siewert, which features narration from the Swazi-English actor Richard E Grant, Rovelli recalls communing with members of the Hadza tribe of northern Tanzania – one of the last hunter-gatherer societies on Earth. Sitting by the fire, thoughts of the peculiar trajectory of Homo sapiens and the many shapes of human wisdom flicker in his head, as he ponders the gaps, large and small, between his world and theirs.

Video by rubberband.

Animator: James Siewert

Website: Alexander

‘Moving paintings’ evoke a quantum particle collision at the Large Hadron Collider

Warning: this film features rapidly flashing images that can be distressing to photosensitive viewers.

The London-based artist Markos R Kay works at the intersection of digital art and science, building bridges between the sometimes esoteric work of scientists and the public. For his piece Quantum Fluctuations: Experiments in Flux (2016), Kay set out to visually express a quantum interaction – a phenomenon that’s notoriously unobservable. First, Kay crafted a scientifically informed visual style, incorporating influences ranging from the abstract expressionists to Richard Feynman. Kay then created ‘moving paintings’ from these visuals using computer software intended to mimic the supercomputers that simulate particle collisions at the Large Hadron Collider near Geneva. The sequence of events visualised in this excerpt from Quantum Fluctuations is as follows:

  1. Underlying event: representing the background particle interactions that occur in a hadron collider during a particle collision.
  2. Proton beam: hundreds of trillions of protons are accelerated to near the speed of light.
  3. Hard subprocess: the main event during a high-energy particle collision.
  4. Parton showers: radiation in the form of virtual quarks and gluons caused by the energy of the collision.
  5. Hadronisation: these particles become composite hadrons.
  6. Decay: unstable composites break apart and light is emitted.

There’s an idiosyncratic beauty to the resulting imagery and an inherent tension in the work, which melds careful planning with spontaneity, and offers an abstract peek into the unseeable. For the best experience, we recommend watching with your video player at the 4K setting. You can view Quantum Fluctuations in full at Sedition.

Director: Markos R Kay

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Bessie. Holstein cow, aged 20, from the Allowed to Grow Old project and book by the photographer Isa Leshko. All photos © Isa Leshko

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