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CAM

Cameron Allan McKean

Editor, Aeon+Psyche

Cameron is a writer, editor and underwater anthropologist in Melbourne, Australia. After a decade in Tokyo working as an arts journalist, he began doctoral studies at Deakin University involving fieldwork with scientists and divers at coral reefs in the Pacific Ocean. Cameron is a former books and culture editor for The Japan Times, and a past contributor to CNN, ArtAsiaPacific, Dwell, Apartamento, and art-agenda.

Edited by Cameron Allan McKean

Photo of three people in traditional robes, two holding wooden staffs, standing outside a wooden building in sunlight.

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Rituals and celebrations

A life in Zen

Growing up in countercultural California, ‘enlightenment’ had real glamour. But decades of practice have changed my mind

Anshi Zachary Smith

A round pot encircles a hole in the soil, around the hole are dried leaves, a stone and a stick.

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Anthropology

Spider divination

Life is complicated. In Cameroon, initiated diviners read the messages of spiders to untangle possible futures

David Zeitlyn

A crocodile underwater with mouth open wide showing teeth in a cloudy green environment.

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The environment

Beyond food and people

Nietzsche shows us how to embrace our connection with nature – without denying its essential conflict, strife and suffering

Nicholas E Low

Photo of an ocean sunset seen through a round window with a warm sepia tone across the sky and water.

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Language and linguistics

The grammar of a god-ocean

To truly explore alien languages, linguists must open themselves to the maximum conceivable degree of cosmic otherness

Eli K P William

Illustration of a crab using a laptop, captioned “Homo-crustaceous digitalis” on a textured background.

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The future

Homo crustaceous

‘Everything becomes crab’ is more than an absurd meme. The crab is a deep symbol of our devil’s bargain with technology

Michael Garfield

A beaver dam on a calm lake surrounded by dense evergreen forest with mountains faintly visible in the background.

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Animals and humans

Animals taught us culture

Prehistoric humans didn’t create art and architecture out of nothing. They took inspiration from the nonhuman world

Sarah Newman

Three ancient human skeletons laid side by side in an archaeological excavation site.

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Archaeology

Deep time and the revenant

In enigmatic burials, crafted to bind the bodies within, we can see how truly ancient our fears of the undead must be

Rebecca Batley

Painting of a man on a rocky cliff overlooking a foggy mountainous landscape, with a walking stick in hand.

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Art

Out of the fog

It’s a ‘failed painting’ that obscures the profound power of German Romanticism. Why do we love the ‘Wanderer’ so much?

Gianluca Didino

Medieval painting of soldiers in armour on a boat and horseback near a fortress with Cyrillic script above.

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Global history

Vikings on the Silk Roads

The Norse ravaged much of Europe for centuries. They were also cosmopolitan explorers who followed trade winds into the Far East

Neil Price

Illustration of hands typing on a keyboard with handwritten notes and a man in a sequence of frames.

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Computing and artificial intelligence

Chatbots of the dead

We can now create compelling experiences of talking with our dead. Is this ghoulish, therapeutic or something else again?

Amy Kurzweil & Daniel Story

Painting of a bustling 17th-century market square with people, horses and a church, surrounded by historic buildings and boats on a waterway.

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Global history

There are no pure cultures

All of our religions, stories, languages and norms were muddled and mixed through mobility and exchange throughout history

Inanna Hamati-Ataya

Digital artwork of a forest inside a circular frame with geometric lines, displayed against a black background.

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Stories and literature

Laboratories of the impossible

By testing the boundaries of reality, Spanish-language authors have created a sublime counterpart to experimental physics

Joshua Roebke